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Please note: This trailer for this performance does contain some swearing and white noise.
Masquerading as a sequel to an earlier, non-existent version of itself, The Passion of Andrea 2 is a mischievous con artist of a dance piece which deals with uneasiness, the inability to fully understand, and the painful desire for more. A combination of imagination and mystery, never completely revealing itself, it is essentially a show about a world of impossibilities, in which disappointment, idealism, anger, confusion, and death carry on a strange dialogue.
"If you do or don’t know what to do with your life, go see this show! The performers are exceptional! ” - Audience reaction
Concept & Choreography: Simone Mousset
Created in collaboration with the team:
Performers: Lewys Holt, Luke Divall, Mathis Kleinschnittger ft. Alberto Ruiz Soler
Performers for R&D: Amelia Emma Forrest, Nangaline Gomis, Raisa Kröger, Michele Meloni, Andrea Rama, Raoul Riva, Elisabeth Schilling, Davide Sportelli
Sound Design: Alberto Ruiz Soler
Set & Costume Design: Lydia Sonderegger
Lighting Design: Alberto Ruiz Soler, Seth Rook Williams
Dramaturgs: Thomas Schaupp, Nikki Tomlinson
Acting Coach: Francesco Mormino
Singing Coach: Barbara Pierlot
Producer: Vasanthi Argouin
Administrator: Cathy Modert
Special thanks to Koen Augustijnen, Amy Bell and Renelde Pierlot for their feedback and support
Co-produced by KLAP Maison pour la danse, Les Théâtres de la Ville de Luxembourg, CAPE – Centre des Arts Pluriels Ettelbruck
Supported by The Place, Trois C-L – Centre de Création Chorégraphique Luxembourgeois, Maison du Portugal André de Gouveia Paris, Dance City Newcastle, Fondation Indépendance by BIL, Monodrama Festival, Fondation Eté, Fondation Cléo Thiberge Edrom, KostümKollektiv Berlin
Please note: This performance does contain some swearing and white noise.
About Simone Mousset
Simone trained at Trinity Laban, the RAD, and LCDS/EDge. Recipient in 2017 of the Luxembourgish Dance Award, Simone is currently supported on a three-year programme by the Fondation Cléo Thiberge Edrom in France and is the first Associate Artist at the Escher Theater in Luxembourg. She works with artists and companies across Europe, Russia, and the Middle East.
Click HERE to find out more about Simone Mousset.
It's mode of communication has a specific hypnotic quality in which its contents, often extreme and contradictory, merge to create a fluid, metamorphic system where anything can happen, yet all is blurred.
With mannered gestures and jesterly attitude, the HARKLEKING projects an air of courtliness and a feeling of profound mistrust. It is reminiscent of the Grotesques, ancient wall decorations, in which monstrous figures emerge and blend in with elegant ornamental volutes. Figures, which, although can evoke amusement, do not elicit any joy which bodes the question ‘who is the joke on?’
Created by: Ginevra Panzetti, Enrico Ticconi
Sound Design: Demetrio Castellucci
Light Design: Annegret Schalke
Costume Design: Ginevra Panzetti, Enrico Ticconi
Technical Direction: Paolo Tizianel
Illustrations and Graphics: Ginevra Panzetti
With the support of: VAN (IT) // Tanzfabrik, Berlin (DE) // PACT Zollverein, Essen (DE) // NAOcrea - Ariella Vidach - AiEP, Milano (IT) // KommTanz - Compagnia Abbondanza/Bertoni, Rovereto (IT) // L'arboreto - Teatro Dimora, Mondaino (IT) // AtelierSì, Bologna (IT) // C.L.A.P.Spettacolodalvivo, Brescia (IT)
Further support: Cronopios - Teatro Petrella, Longiano (IT) // Vera Stasi - Progetti per la Scena, Tuscania (IT) // Network Anticorpi XL (IT) 2018
Artists presented in the framework of Aerowaves, Co-funded by the Creative Europe programme of the European Union
Supported by the Italian Cultural Institute in London
About Ginevra Panzetti and Enrico Ticconi
Based in Berlin and Torino, Ginevra and Enrico have been working as a duo since 2008. Their artistic research interlaces dance, performance and visual art. Deepening themes related to the historical union between communication, violence and power, they draw on ancient imaginaries, creating hybrid figures or images between history and contemporaneity.
Both graduated from the Academy of Fine Arts in Rome and attended Stoà, School for rhythmic movement and philosophy in Cesena, led by Claudia Castellucci. In 2010 they moved to Germany and delved into individual, but mutually complementary paths: Ginevra studied Media Art at the HGB in Leipzig whilst Enrico studied Dance, Context, Choreography at the HZT in Berlin.
Venue: at The Place
This event is part of Spring Season 2020