Gabriela Tropia BA (Hons) MA PGCHE, is a Brazilian dance filmmaker and lecturer. She originally studied dance at Unicamp, Brazil, before moving to London to undertake an MA in Dance for Screen at London Contemporary Dance School.
Gabi’s screendance works have featured at festivals in Brazil, Argentina, France, Spain, Portugal, the US and Singapore. She directed the short Units of Action, which has toured more than 20 countries, including Live Screen at Sadler's Wells, and is available on the Videodance Mercosur Circuit DVD. As part of a practice-research into improvisation in filming, she collaborated with contact improvisation dancers. This project resulted in 13 shorts that were shot and edited within a strict and limited timeframe of a 2 hours contact jam.
The 20 minute film Under the Cobblestones (choreography by Igor and Moreno and soundtrack by Bellatrix) has been screened at Cinedans in Amsterdam and awarded at Passion for Freedom Arts Festival. She has published chapters in Terpsichore in Zeros and Ones (ed. Silvina Szperling) and Art in Motion: Current Research in Screendance (ed. Marisa C. Hayes and Franck Boulègue).
Gabi has a long term collaboration with 2013 Place Prize winner Riccardo Buscarini and has worked with the Singaporean dance company T.H.E . Since 2010 Gabi has worked as a Lecturer in Dance and Technology at London Contemporary Dance School and in 2014 she became a Fellow of the UK Higher Education Academy.
Gitta Wigro is a freelance dance film programmer based in London, UK. She has worked as guest programmer, speaker and jury member for, among others, American Dance Festival (USA), La Danza in 1 Minuto (Italy), BFI FLARE (UK), Big Dance Shorts (UK), and Light Moves (Ireland). She is a programmer for the Screendance Competition at Leeds International Film Festival.
From 2000 to 2007, Gitta was part of Videoworks, The Place’s resource for dance film makers. Videoworks comprised a video library, production facilities and the annual Dance on Screen film festival, and Gitta took over its management in 2004. She curated the annual Video Dance project for Anticorpi XL (Italy) from 2006-2014, and was co-curator of the 2010 edition of Moves International Festival of Movement on Screen (UK). She created a programme for the inaugural edition of Movers and Makers, a new dance film initiative for Screendance Scotland in 2016.
She was a relationship manager at Arts Council England, the national funding body for the arts, managing project and organisational grants, with a remit for dance and digital media. Gitta maintains a free online resource for dance film makers on Facebook (videodanceMVB) and Twitter (dance_film). She is also co-director of Independent Dance, an artist-led organisation providing a responsive, stimulating space for artists in their ongoing development as professionals.
Visit Gitta Wigro's Website
Dr Miranda Pennell
Dr Miranda Pennell studied contemporary dance before she started working with the moving image. Pennell’s award-winning films exploring forms of collective performance have been widely screened and broadcast internationally. Pennell’s current moving-image work uses photographic archives as the starting point for a reflection on the colonial imaginary.
Selected one-person screenings include retrospective programmes at Stuttgart FilmWinter Festival for Expanded Media (2019), Choreography and Archives, Filmmuseum Munich (2017), Choreocinema: Siobhan Davies & Miranda Pennell, Barbican, London (2017), Irish Film Institute, Dublin (2016), Close Up Cinema, London (2016), with retrospectives at Glasgow Short Film Festival, Vienna International Shorts, Tampere Short Film Festival, and Oberhausen Short Film Festival.
Group exhibitions include TanzBilder, Neues Museum Nuremberg (2019), All Systems Go, Cooper Gallery, Dundee (2016), Europe – The Future of History, Kunsthaus Zurich (2015), and The World Turned Upside Down, Mead Gallery (2013).
She received an MA in visual anthropology from Goldsmiths College, and a PhD from the University of Westminster. She has worked as a commercials director, as a lecturer on film, video and performance practice, and she also writes and curates.
Lucy Cash is a filmmaker and artist whose work spans moving image, installation, participatory event and writing. She draws on techniques of improvisation and real time composition and explores choreography in relation to editing, sound and cinematography as well as movement. Her work makes her as much as she makes it.
Originally from a background in performance and choreography she has been an artist in residence for the Whitechapel gallery, held a research residency at The Foundling Museum and received a Screendance fellowship from South East Dance. Her film and video work has been shown internationally and she has delivered provocations for the Jerwood Choreographic Fund as well as producing and co-curating two interdisciplinary festivals (What if.. and What Matters) at Siobhan Davies Studios, London. Her writing is in the forthcoming Creative Critic: Writing As / About Practice. She was an associate artist at Artsadmin (2007 – 2016) and an associate member of Goat Island performance company (2005 – 2009).
Dr Claudia Kappenberg completed an MA Fine Art/Film and Video at Central Saint Martins College of Art and Design in 1998 and taught on the BA Fine Art until 2002. Since 2004 she lectures at the University of Brighton (UK) in moving image and performance practices. Her work borrows from the everyday, appropriates, recycles and remakes, and has been shown internationally in the form of live, site-specific events and screen-based installations. Claudia is co-founder and editor of The International Journal of Screendance. Her writing has been published in Anarchic Dance (Routledge 2006), International Journal of Performance Arts and Digital Media (5, 2-3, 2009), Art in Motion: Current Research in Screendance (Cambridge Publishers 2015), The Oxford Handbook of Screendance Studies (Oxford University Press 2016), Repères, Cahier de Danse (La Briqueterie 2017) and Syncope in Performing and Visual Arts (Editions Le Manuscrit 2017).
Imogen obtained a first class BA (Hons) degree in dance studies in 2014 from the University of Roehampton, where she specialised in Dance and Technology. She has gone onto work as a project assistant for Dance Film Festival UK 2015, Straybird’s Some Pattern of Current project (2014) and continues to work on her own screendance practice. In 2016, she completed an internship at Trinity Laban Conservatoire for Music and Dance (2015-2016) in Technical Support for HE and also works as a freelance film and theatre technician.
This page will be updated when other lecturers and collaborators are confirmed.
Image: Shadower by Jenna Broas, Samuel Parnell, Damien Gray
London Contemporary Dance School's AV room provides students with a range of equipment to support their learning and artistic practice. A selection of excellent quality independent filmmaking equipment is provided via online booking for short-term loans and free of charge. A full-time member of staff is available to advise on technical problems and support students in realising their ideas.
There is a wide range of equipment available, including: